Gwendolyn Audrey Foster
Film Studies Professor / Cultural Theorist / Filmmaker
Gwendolyn Audrey Foster is the Willa Cather Endowed Professor of English and Film Studies at the University of Nebraska-Lincoln. She attended Douglass College for Women, part of Rutgers University in New Brunswick, NJ, where she earned her BA in English and a certificate in Women's Studies. She later earned her Masters degree and her doctorate in English, with an emphasis on cinema studies, women's literature, and popular culture, and now teaches courses specializing in film, class, race and gender studies, as well as eco-critical approaches to film and popular culture.
Her many booksinclude such titles as A Short History of Film (Rutgers University Press, co-written with Wheeler Winston Dixon, second edition 2013); Class-Passing: Social Mobility in Film and Popular Culture (Southern Illinois University Press, 2005); Performing Whiteness: Postmodern Re/Constructions (State University of New York Press, 2003); Identity and Memory: The Films of Chantal Akerman (Southern Illinois University Press, 2003); Experimental Cinema: The Film Reader (Routledge, 2002); Troping the Body: Etiquette, Conduct and Dialogic Performance (Southern Illinois University Press, 2000) and Captive Bodies: Postcolonialism in the Cinema (State University of New York Press, 1999). Foster's book Performing Whiteness: Postmodern Re/Constructions was cited by the journal Choice as "Essential . . . one of the Outstanding Academic Books of the Year."
In 2015, Foster and Dixon inaugurated the Quick Takes: Movies and Popular Culture for Rutgers University Press, a new series of books on film and popular culture. Foster and Dixon also serve as Series Editors for New Perspectives on World Cinema, a series of books published internationally with Anthem Press, UK.Foster also writes articles regularly for numerous web and print journals on a wide variety of TV and film related topics;you can see a selected list of her articles here.
Foster teaches a broad variety of courses that reflect her diverse interests: Ozu and Asian Cinema, Bresson and French Cinema, Spanish and Mexican cinema, The Films of Luis Buñuel, Experimental filmmakers, Pre-Code Cinema and Film Censorship, Women Filmmakers in History, Feminist and Marxist Approaches to Film Theory, Apoco-tainment, Eco-Horror and Environmentalism in TV and Film, The Woman's Picture and Melodrama, Female Spectatorship, Race and Postcolonialism in Film, Queer Theory, Feminist Film Theory, Gay and Lesbian Filmmakers, Masculinity in Film and Media, and many other courses. She is also interested in modern ways of telling what are usually characterized as "fairy tales," as well as current trends in film and popular culture.Her documentary film,Women Who Made The Movies,is distributed by Women Make Movies, New York, and has become a classic in the field of feminist cinema history.